4 edition of Signor Topsy-Turvy"s wonderful magic lantern, or, The world turned upside down found in the catalog.
Signor Topsy-Turvy"s wonderful magic lantern, or, The world turned upside down
Ann Taylor
Published
1810 by Printed for Tabart & Co. in London .
Written in English
Edition Notes
| Other titles | English poetry database (Online), World turned upside down |
| Statement | by the author of "My mother," and other poems ; illustrated with twenty-four engravings |
| Contributions | Taylor, Isaac, 1787-1865, Taylor, Jane, 1783-1824, Ohio Library and Information Network |
| The Physical Object | |
|---|---|
| Format | Electronic resource |
| Pagination | 71, [1] p., [24] leaves of plates |
| Number of Pages | 71 |
| ID Numbers | |
| Open Library | OL18217304M |
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Description. Signor Topsy-Turvy's Wonderful Magic Lantern is a more sophisticated version of the ‘world-turned-upside-down’ texts which would have been familiar to 18th- and early 19th-century readers (both children and adults), from chapbooks and other forms of cheap, popular literature.
These described and illustrated unlikely ‘topsy-turvy’ occurrences such as a fish hooking a. Signor Topsy-Turvy's wonderful magic lantern, or, The world turned upside down [Ann Taylor] on *FREE* shipping on qualifying offers. Signor Topsy-Turvy's wonderful magic lantern ; or The World turned upside down.
By the author of "My Mother," and other poems [Ann and Jane Taylor]. OCLC Number: Notes: Preliminaries and introductory matter omitted. Transcribed from: Taylor, Jane, Signor Topsy-Turvy's wonderful magic lantern, or, The world turned upside down: illustrated with twenty-four engravings.
London, Tabart & Co., FIRST EDITION16mo, approximately x mm, 5 x 4 inches, engraved frontispiece Title: SIGNOR TOPSY-TURVY'S WONDERFUL MAGIC LANTERN; or, THE WORLD TURNED UPSIDE DOWN. A hare, a turkey, and a tortoise in the kitchen. Committing sedition instead of being nutrition, THEY CAN ALL TURN THE WORLD UPSIDE DOWN.
Lin-Manuel Miranda’s showstopping number, “Yorktown: The World Turned Upside Down,” uses examples that resonate deeply with a contemporary audience instead of the symbols of subversion from below that circulated in popular prints (and even earlier in.
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